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ARTIST STATEMENT

I am a Franco-Mauritian artist based in London whose practice connects oral history, sound, and visual installation. My work explores how personal testimony can become artistic material, particularly within migrant, multilingual, and working-class communities. After many years working in theatre and documentary, I am now developing a visual-arts practice that transforms collected stories into immersive environments. I am especially interested in how sound, space, and collective memory can reshape public and natural environments into living archives.

Selected Visual
& Oral-History Projects

June 2025 – April 2026  |  Des Racinés (Bordeaux)

July 2024 – May 2025  |  Pran Kouraz / Take Courage by Shiraz Bayjoo (London)

June 2018 - Jan 2022  |  In Exchange (London)

Sound and visual installation broadcasting migrant testimonies through the forest, transforming nature into a living archive of memory and resilience.

Collaborative installation with Shiraz Bayjoo exploring Mauritian identity, colonial legacies, and resilience through sound and visual storytelling.

Documentary film gathering voices of migrant artists, exploring identity, multilingual creativity, and precarity in the UK cultural sector.

2015  
Laïque Cité (Bordeaux)

Community‑based project exploring secularism and fraternity through oral‑history collection and short documentary presentation.

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my journey

My Journey A Mauritian French-speaking artist, exiled and based in London, my work is rooted in collective memory and life stories, giving central space to voices often marginalised. As founder of Exchange Theatre in London (2006–), I first explored this approach through directing and working with actors in multilingual and community-based theatre creations. In 2015, with Laïque Cité, Le Carousel commissioned my first video creation, this time working directly with participants to explore secularism. This collaboration allowed me to develop a practice that links the collection of oral testimonies to their artistic transformation, moving from the theatrical stage to immersive installation. Laïque Cité took shape as a short documentary film, later presented in visual-arts exhibitions. In parallel, I developed skills and expertise in gathering testimonies within the field of oral history. I continued this research in the documentary In Exchange (2022), dedicated to migrant artists and their precarious position within the cultural sector. As my stage work evolved into increasingly meta and collaborative forms (The Cat, The Great Experiment, Noor, Tempests), addressing exile, colonial legacies, and the psychological impact of intolerance, theatre naturally led me toward visual forms onstage. In 2023, I was invited to join Pran Kouraz / Take Courage by Shiraz Bayjoo, created with students from a diverse British public school often distant from access to the arts. This collaboration opened a new chapter: becoming, in turn, using techniques from live theatre, a creator of visual art and sound installation. My training in oral history with Border Crossings reinforced my conviction that oral history can become a fully fledged artistic medium, capable of linking intimate memory with public space. It is within this context that Des Racinés (2025) was created and presented in the Bouscat forest during L’Hiver Enchanté. The installation broadcasts the voices of refugees and migrants from the Congo, Syria, and Spain, as well as those of foundational generations of the community, transforming the forest into a living archive of migration and fraternity. Through sound, space, and walking, the audience is invited into a poetic and political experience where nature becomes a resonant chamber for invisible stories

background

Selected Theatre Projects (Methodology Foundations)

The Cat (2020, Institut Français London)
The Great Experiment (2020, UK tour)
Noor (2019)
Tempests (2021, Young Vic, London)

Theatre works developed from oral testimonies and collective improvisations, exploring exile, colonial legacies, mixed-race invisibility, and refugee experiences. These projects shaped the methodological foundations of my current visual-arts practice.

Professional Background

Degree
University Name

Founder & Artistic Director, Exchange Theatre (2006–)
Creation of multilingual, community-based projects rooted in collective memory and lived experience. Development of collaborative methodologies that now inform my visual-arts practice.

Education & Training

Skills

Oral-History Practitioner Training with Border Crossings
Specialising in the collection and artistic transformation of testimonies from migrant and under-represented communities.
Performing Arts degree National Theatre Chaillot (Paris) (2005) 

 

Ongoing professional development in visual arts, sound installation, and documentary practice.
Extensive practical training in theatre direction and dramaturgy Skills
Oral-history interviewing and ethical testimony collection
Spatial sound design (in collaboration with sound artists)
Installation creation and public-realm work
Multilingual and community-based collaboration
Cross-disciplinary project development (theatre, documentary, visual arts)

david@exchangetheatre.com                                                               © 2021 par David Furlong. 

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